吉冈春（池胁千鹤 配音）是一个普普通通同时又有些迷糊的女高中生，某天放学的路上，她偶然救下了一只险些丧生车轮之下的小猫，谁曾想小猫竟然直立起来以人类的方式对女孩表示感谢。小春更想不到的是，她不经意的善举改变了自己的命运。原来小猫是猫王国的王子，为了报答小春的恩情，猫王国举国上下展开了令人啼笑皆非的报恩行动，只不过它们视为“上品”的老鼠令小春哭笑不得。不久后，小春接受王国的邀请前去做客，期间竟稀里糊涂答应成为王子的妃子。女孩眼看就彻底变成了一只猫，神秘的男爵（袴田吉彦 配音）成为她的救命稻草……
Test Scenario 1: Repeat to Jump Yourself (Set SingleInstance Yourself)
民国年间，绸布庄少东家黄绍宁娶刘婉云为妻，不料新娘无故失踪。黄老夫人为传宗接代逼绍宁再娶，贫苦女秋荷为报恩嫁给绍宁，住进了被诅咒且灵异传奇不断的黄家大院，饱受惊悚及悲惨凄苦的折磨。陈父与黄家生意竞争失败含恨而死，陈文海立誓报仇！他凭借超人女性的胆识潜入瑞盛祥卧底，与黄家管家吴妈及黄家养女雁儿串通把黄家大院搅得天翻地覆。绍宁同父异母的弟弟绍华回乡认祖归宗，遭陈文海算计爱上嫂子秋荷。绍宁妻离子散，黄家被逼到断子绝孙的境地。陈文海利用绍宁的信任抢得黄家产业，并陷害绍宁，使其被投入死牢待斩。已被富家收养的秋荷倾囊而出帮绍宁脱罪。绍宁欲接秋荷回家却遭到雁儿百般阻挠，雁儿如愿嫁给绍宁成为黄家第三任新娘，终因难产而死，留下一个女婴。陈文海深爱火影忍者雁儿，雁儿之死使他在世上再没一个亲人，他失去人性杀婴儿解恨，却不知这是他和雁儿的女儿。最后凭秋荷的大义和坚忍挽救了黄家，改变了陈文海的命运！
How to operate it?
2. 1. "Legal System to the Countryside, Legal Publicity"
精灵宝可梦之夏日祭典
女主人公方若瑄幼年时在家里的老宅子遇到了一场事故，导致她失去了童年的记忆，之后被家人接到国外生活。方若瑄成年之后，父亲去世。她为了完成父亲遗愿，带着父亲的骨灰回到祖国。回国后的方若瑄再次回到了曾经家里的老宅子，此时的老宅子已经被建成了一所医学院。方若瑄来到学校之后发现，只有一口枯竭的玲珑井还保留着老宅子的影子。而且，每当她走到玲珑井前，脑海中就会闪过一些模糊记忆碎片。她隐约意识到这口井和自己失去的记忆存在某种联系，于是她申请了在医学院借读，以便更好的了解玲珑井。同时，她也认识了学生陈博飞，两人很快发生了恋情。方若瑄搬进了学校之后不久，却遇到了一系列诡异的事情，并得知曾经有一名女学生在此跳井自杀。她怀疑这一切就是这名跳井自杀女学生在作怪，而正在这时方若瑄的男友陈博飞也突然失踪……
舅舅这就是不信我了，我生意好好的，怎会勾结海寇？何永强一副受到冤屈的样子。
On February 7, the official microblog of @ West China Metropolis Daily released a report that "the girl and her boyfriend went back to the countryside to celebrate the New Year and wanted to break up after seeing the first meal".
在理，在理。
What is the psychological representation//085
老船主富可敌国没错，但他的钱很长时间都没地方花，现在终于被杨长帆开始狠造了。
本片改編自直木賞作家荻原浩人氣系列「環球廣告公司」的「花之櫻通」，是繼2016年改編的SP《廢柴父親變英雄》大受好評後全新升級的電視劇版本，主創班底不變，編劇仍為晨間劇《雛鳥》的岡田惠和，主演仍是澤村一樹。這也是澤村首度主演東京電視台連續劇，讓他制霸東京五大電視台的連續劇主演之位。故事講述广告精英杉山利史（澤村一樹）過去曾在大型廣告公司工作，當時十分得令，就在人生一帆風順的時候 ，他決定離開公司打算獨立，失敗後經過很多事，結果被港町冷清商店街弱小的「環球廣告公司」收留。雖然他從來沒說出口，但其實他深愛著廣告事業。
月上中天时，尹旭则悄然起身溜了过去，坐下茅屋的台阶上，等着客人到访。
2017-07-15 20:17:46
瑞切尔在这里刚刚找到一份新工作：新闻记者马克思·洛克（西蒙·贝克 饰）的助手，在一桩新闻事件的调查中，瑞切尔在警察局档案室中发现了一个非常神秘的“X档案”，这是一个年轻女孩的离奇死亡案，案件至今未破，现场的证据只有一盘神秘的录影带。
Description:
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
