The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
12年前，在与邻国·巴尔特兰帝国之间的战争中失去母亲的玛法姆特，
20世纪50年代末，北京广播学院女大学生文艺秋爱上苏联功勋播音员维卡，并与之在北京结婚。苏联撤走专家后，维卡被迫离开中国。而文艺秋自愿来到边境城市黑河工作，担任电台播音员，就是为了离维卡近一些。后来，维卡也来到黑河对岸的布拉戈维申斯克担任播音员，他俩竟然通过倾听对方广播的声音抚慰痛楚，倾诉思念。经过20年的漫长等待，文艺秋无奈与同事宋绍山结婚。中苏关系好转以后，收音机里又传来了中苏友谊的歌曲，宋绍山也被他们的爱情故事打动，帮助文艺秋渡过窄窄的界江，与维卡见面。当暮年的文艺秋与维卡再次在北京见面的时候，彼此用播音语调再次倾诉思念，感动了在场的所有人 。
人事顾问椿真子个性强烈，因其雷厉风行的行事作风，被称为“人事恶魔”。职场骚扰，复杂的社内恋爱，员工士气低下，她用大胆的方式，一一解决了这些所有公司都存在的问题。@爱笑聚
故事讲述革命青年容亨抵达北京后，于当时动荡的时局里，所发生的一段段曲折感人故事。容亨（潘志文）抵北京后，巧遇其姐容达（鲍起静）与姐夫梁节操（王伟），而亨此行乃代表南方政府为谈判事而来，为了解北京实况，往访任教于北京大学的顾学儒（刘纬民），得学儒之邀加入国事研究社，并得学生周启华（刘松仁）为私人助理。亨应邀到北京大学演讲，邂逅上海大亨之女施婷婷（米雪），婷婷初与启华相好，但遇上亨后，便对启华冷淡，启华无奈，唯决意退出情场，寄情于学运与革命事业。南北政府谈判破裂，亨被勒令离境，却暗中潜回，于幕后策动五四运动，深得启华及大部分学生支持，亨行踪被节操发现，遂设计捕亨。亨被判死刑，幸得婷婷及其父之助，得免死，改判终身监禁；而达与节操亦为此事夫妻反目。众人为了营救亨，牵引也一串串故事。
《蛋黄人》讲述了屌丝大学生李致远霉运当头——被心中的女神当成闺蜜，患了癌症只剩三个月可活。此时一个像蛋黄的外星生物入侵了他的身体，不但治好癌症，还给了他超人的体质。但危险也随之而来，为了朋友和爱人，屌丝必须要逆袭变英雄.....
胡镇好容易脱开几人围攻，头发散乱，衣衫不整，形容狼狈，刚要爆发，听了这番对答，惊出一身冷汗。
板栗不自觉地抖了一下，叫道：你甭朝我翻眼了。
彭越清楚地表示，愿意做攻打齐国的先锋。
The third paragraph of Article 27 of the Employment Promotion Law stipulates that when employing female employees, the employing unit shall not stipulate in the labor contract any restriction on the marriage and childbirth of female employees. Even if there is a similar agreement in the labor contract, it is null and void.
5. Hedgehog effect
A long time later:
监狱的大门开了！
在这个世界上，始终有一种力量，可以承载亲情，爱情，回忆，往事…那就是美食的力量。三餐物语是一部献给爱美食、爱生活、朋友们的网络剧。在笑声中找到美丽，在幽默里寻找人生真谛。这是一部以相声语言为基础，以喜剧手法为逻辑结构的剧作。使观者在餐桌上轻松进入，在烹饪中严肃思考，在品味中笑着警醒，而后回味无穷……
In the above program, we saw the broadcasting mechanism. What exactly is Scratch's broadcasting mechanism? Any role can broadcast messages with names, and the contents of general messages are very readable. When others feel that they have received the message, they will trigger the execution of the corresponding script. Look at the following roles, which are reflected in received messages and broadcast messages.
以韩国已故前总统卢武铉为主人公，支持率只有2%的倒数第一候选人最终成功成为总统第一候选人这一戏剧化过程的电影。
这些倭寇还是太不中用了。
临近“入学考试”，为了得到优质生源，维持名校的升学率，学校里四处迷茫着紧张的气息。老师们细致的准备着相关事项；而网络这端，则在讨论着破坏入学考试的事情。某一天，当杏子检查教室时，看到黑板上不知被谁写的要破坏入学考试的大字。凶手是谁？又是出于何种目的想要破坏考试？登场的所有人物都有可能是凶手，而答案不到最后一刻不会揭晓。
