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(2) A photocopy of the qualification certificate;本作品是2019年7月至9月播出的《声音110紧急指令室》的续篇。本剧刻画了凭借直觉和行动力向前冲的刑警·樋口彰吾，以及拥有无论怎样细微的声音都能听出来的绝对听觉能力的橘光，他们与各种各样的事件对抗的模样。韩国KBS电视台综艺节目，也是该台Happy Sunday的长寿环节之一。标榜真实野生道路真人秀，描绘6个男人横冲直撞背包旅行的旅行综艺节目。主人公・松本タカオは浪費癖のせいで3年間付き合っていた恋人・マキコに捨てられる。「節約や貯金などロックではない」と抵抗しつつもマキコを取り戻すため節約してみると、どこからか心地良い音色が聴こえてくる。それは、＜心の中の貯金箱にお金のたまる音＞！？節約とロックには意外な共通点があることに気づき、タカオは様々な節約に挑戦。しかしその頃、マキコに爽やか系イケメン・稲葉の影が忍び寄る。さらに仕事場では、タカオが憧れるイケイケの敏腕CMクリエイターや恐れを知らない常識外れな後輩など個性豊かなキャラクターたちが、タカオを翻弄する―「節約」と「ロック」の間で揺れるタカオの運命は…！？お得な裏ワザ満載！？型破りなコメディドラマ誕生！受不了无耻老板的骚扰，胸怀远大志向的美丽女孩杜拉拉（王珞丹 饰）专而进入世界500强的企业DB公司。刚刚进入行政部担任助力的她，却晕头转向承担起公司装修的主持任务，虽然困难重重，家庭、爱情等方面有状况不断，但拉拉凭借一股韧劲最终圆满完成工作，也得到同事和领导的好评和赏识。在此之后，她坚定信念，一路向前，躲过各种明枪暗箭，最终胜任行政部经理。薪水保障的同时也从市场总监王伟（李光洁 饰）那里收获美好的爱情。不过美国那位经常爬墙的老师曾说过，“能力越大，责任越大”，杜拉拉不仅要应付工作上越来越大的挑战，感情上也面临前所未有的困局，她最终能否解决这一切呢？在2006年夏天，Rob Reilly（Killian Scott），一个聪明的合适的凶杀侦探和他的搭档cassie（Sarah Greene）被派去调查一个孩子的谋杀案，并发现一个介于新爱尔兰和旧爱尔兰之间的社区。在祭坛上躺着一个当地少女的尸体，她天赋异禀的Katy Devlin（Amy Macken）。她的尸体被发现在一个考古遗址的中央，受到当地开发商的威胁，他们打算修建一条闪亮的新高速公路。邻近的Knocknaree，从来没有得到过“凯尔特之虎”的份额，世世代代都被贫困和失业所困扰。此外，这已经不是第一次失去一个孩子了：21年前，在一个完全不同的爱尔兰，三个孩子失踪了，只有一个活着回来。人们对这一地区的记忆很深，当地人、媒体和都柏林警方担心这些案件有关联。The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.