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号称“史上最佳剧集”之一的《宋飞正传》，其知名度与受欢迎度毫不逊色于大部分国人熟知的经典喜剧《老友记》（《六人行》）。故事也是以纽约为背景，讲述四个曼哈顿年轻人的故事。故事围绕喜剧演员宋飞展开，主要人物有：自己演自己的杰瑞·宋飞、宋飞的多年老友乔治、宋飞的前女友伊莲，还有宋飞神叨叨的对门邻居克莱默。《宋飞正传》每集故事之间没有关联性，没有贯穿全剧的主题或者主线，主要情节就是讲述四个主人公的日常生活，巧妙地将笑料暗藏其中。编剧从小人物的视角出发，描绘出色的对白语言、演员精湛纯熟的演技以及美式无厘头的插科打诨，是该剧大获成功的原因。《宋飞正传》在播出之后立即得到了评论界和观众的一致好评与喜爱，收视率连年居高，演职员获得数十个重要奖项或提名，Seinfeld和David也从中获得数亿美元的收入。2002年美国权威电视杂志《手指指南》（TV GUIDE）组织的“史上50部最佳剧集”（50 Greatest Shows of All Time）评选中本剧当仁不让名列第一。一个订婚在即的中国女孩刘小熙瞒着家人独自前往泰国，只为见到让她思念已久的初恋爱人Ton，实现当初的那个懵懂约定。一个韩国女孩崔美珍为了逃避家族势力的斗争追求自由只身一人来到了泰国散心，不料却陷入各种囧境。一个泰国女孩纳姆为了帮助自己母亲治病接受了刺杀崔美珍的任务。就这样三个人在上天的安排下不期而遇， 并且一起经历了各种旅途上险境。出乎意料的是刘小熙与Ton这段恋情却因Ton身患癌症无疾终倍受触动。难道刘小熙的这段寻爱之旅仅仅是这样的结局么？崔美珍和纳姆的恩怨又能化解么？最终他们三又有怎样的结局呢？或许，在她们心中，总有一个人、一段故事，将挥之不去，日久弥新。死小子，花心到她闺女头上了。　　三德子法印离开之后，康熙与林风儿、小桃红等人被绑匪用陷阶抓住，牢狱之内，绑匪欲对林风儿非礼，被康熙救起，二人互生好感。到了交赎金的日子，康等三人被带到一个叫双龙谷的地方，谁料，前来收赎金的竟是巡抚和知府大人，康大怒，巡抚见事情败露，欲杀康熙，幸三德子法印带兵及时赶到，将巡抚等人悉数抓获，救出三人。康熙将林风儿封为新宜妃，带回皇宫。音乐学院的天才王子遇上音乐天赋极高的疯狂妹子，音乐天赋让他们互相吸引。在一个古怪的导师带领下，他们和一群热爱音乐的朋友组成了一个特别的交响乐团，一起追求青春的音符。赵文华转望戚继光，戚将军这边也要多多支持一些。Aban's dealings with various Japanese figures are even more brilliant. The Japanese in his works, Including Japanese Foreign Minister Yoyo Matsuoka, Minister to China Shigemitsu Mamoru, Consul General to Nanjing Sumomikiro, Commander-in-Chief of the Fleet in China Yanze, Japanese Minister-at-Large Kato, Commander of the South Fleet Iwamura Kiichi, Commander of Japan's Third Fleet Lieutenant General Hasegawa, Commander of the Shanghai Dispatch Force Ishiguro Matsui and his subordinate Colonel Hashimoto Shinichiro. He is especially concerned about Ishiguro Matsui, who is the primary responsible person for the Nanjing Massacre, and many details are rare in domestic publications. It is generally believed that Matsui and his 80 officers were recalled by Japan because of excessive negative reports on Japan after the Nanjing Massacre. After reading this book, it is known that the main reason is related to the sinking of the US ship Panai by Japanese planes in the Yangtze River. The report that dragged Ishiguro Matsui off the horse was published in the New York Times by Aban and caused a sensation. Aban also depicted a bunch of inferior Japanese characters, including cunning, loyalty, stupidity, shrewdness, aggressiveness, gentleness... no longer one thousand people, exaggeration and distortion.